More Articles... - 1956 - WIS I - Body Compositions
- 1956 - WIS I - Great Collectors of Wedgwood
- 1956 - WIS I - Jane Austen
- 1956 - WIS I - Josiah Wedgwood’s Place in History
- 1956 - WIS I - Oriental Influences on Wedgwood
- 1956 - WIS I - The Museum and the Collector
- 1956 - WIS I - Unmarked Wedgwood
- 1956 - WIS I - Wedgwood Under Ultra Violet Light
- 1956 - WIS I - Wedgwood—The Bibliographical Approach
- 1957 - WIS II - A Potter's Problem
- 1957 - WIS II - English Blue Printed Ware
- 1957 - WIS II - The Gunsaulus Collection
- 1957 - WIS II - The Portland Vase
- 1957 - WIS II - Wedgwood Shapes
- 1957 - WIS II - Wedgwood: A Neo-classical Expression
- 1958 - WIS III - Catalogue of the Loan Exhibition of Eighteenth Century Earthenware" - Compiled by Lloyd E. Hawes
- 1958 - WIS III - Flaxman As A Draughtsman
- 1958 - WIS III - Horace Walpole Collector
- 1958 - WIS III - How to Identify Wedgwood Salt Glaze (Précis of Lecture)
- 1958 - WIS III - Some Highlights of a Wedgwood Collection
- 1958 - WIS III - The 3rd Wedgwood International Seminar Exhibition - Includes catalog to exhibition
- 1958 - WIS III - The Influence of Wedgwood on Continental Pottery and Porcelain
- 1958 - WIS III - The Portland Vase Before 1650: The Evidence of Certain Dal Pozzo-Albani Drawings at Windsor Castle and in the British Museum
- 1958 - WIS III - Wedgwood in Colonial America
- 1958 - WIS III - Wedgwood Lighting Devices in the Eighteenth Century
- 1958 - WIS III - Wedgwood's Great Table
- 1958 - WIS III - Wedgwood’s Red Wares
- 1959 - WIS IV - Collection of Early Wedgwood Pottery and Family Pictures, Leith Hill Place, Cold Harbour Near Dorking, Surrey
- 1959 - WIS IV - History of the North Staffordshire Potteries
- 1959 - WIS IV - Wedgwood Today
- 1960 - WIS V - Black Basaltes
- 1960 - WIS V - Ceramic Collections at the Royal Ontario Museum
- 1960 - WIS V - Josiah Wedgwood and the Neo-Classic Style in England
- 1960 - WIS V - Josiah Wedgwood: Salesman
- 1960 - WIS V - The Evolution of the Ceramic Art in Staffordshire
- 1960 - WIS V - Wedgwood and Artists
- 1960 - WIS V - Wedgwood and Royalty
- 1960 - WIS V - Wedgwood Armorial Wares
- 1961 - WIS VI - A Question of the Imprint of Wedgwood in the Longer Poems of Keats
- 1961 - WIS VI - Eighteenth Century Molds
- 1961 - WIS VI - Of Wedgwood and Sevres
- 1961 - WIS VI - Pottery Techniques Inherited by Wedgwood
- 1961 - WIS VI - The Exhibition Catalog Members' Exhibition Catalog and photography by Olivia P Lenhart
- 1961 - WIS VI - The First Five Seminars
- 1961 - WIS VI - Wedgwood and the Classical Revival
- 1961 - WIS VI - Wedgwood Chronology: An Aid to Dating Wedgwood
- 1961 - WIS VI - Wedgwood Vignettes
- 1962 - WIS VII - Egyptian Influences in Wedgwood Designs
- 1962 - WIS VII - Flaxman Drawings in the Art Institute
- 1962 - WIS VII - James Tassie and Josiah Wedgwood: A Study in Parallels
- 1962 - WIS VII - Joseph Wright of Derby
- 1962 - WIS VII - Robert Adam
- 1962 - WIS VII - Scheidemantel, Vivian J Exhibit at Chicago Public Library: The Buchanan Collection
- 1962 - WIS VII - Scheidemantel, Vivian J. Wedgwood and Bentley Exhibition - Text, catalog, photographs and marks
- 1962 - WIS VII - The Apotheosis of Homer
- 1962 - WIS VII - The Ceramic Collector’s Library
- 1962 - WIS VII - The Delhom Collection
- 1962 - WIS VII - The Klawans Collection
- 1962 - WIS VII - The Pucci Collection
- 1962 - WIS VII - Using Wedgwood Flower Containers
- 1962 - WIS VII - Wax Portraits
- 1962 - WIS VII - Wedgwood and Bentley Source Books
- 1962 - WIS VII - Wedgwood Lustreware
- 1962 - WIS VII - Wedgwood Mark Highlights: Guides to Dating Wedgwood
- 1963 - WIS VIII - A Collector of Wedgwood Finds a Piece
- 1963 - WIS VIII - Achilles Dragging Hector Around the Walls of Troy
- 1963 - WIS VIII - Burnap Collection of English Pottery
- 1963 - WIS VIII - Centauress and Child
- 1963 - WIS VIII - Creamware Food Molds
- 1963 - WIS VIII - Fragments of a Diary Written by Samuel Inge of Lichfield About 1790 - Introduction by Ross E. Taggart
- 1963 - WIS VIII - History of English Ceramics Prior to the Time of Josiah Wedgwood
- 1963 - WIS VIII - Minerva and Neptune on a Patch Box
- 1963 - WIS VIII - Queen's Ware Soup Tureen, Cover and Stand—Anthemion Pattern
- 1963 - WIS VIII - Red-Marked Soft Paste Wedgwood Porcelain
- 1963 - WIS VIII - Relief-Ornamented Ceramics: An Historical Survey - Special exhibition catalog. Introduction by Ross E. Taggart
- 1963 - WIS VIII - Some Wedgwood Imitators
- 1963 - WIS VIII - The Death of a Roman Warrior
- 1963 - WIS VIII - The Marchioness of Buckingham
- 1963 - WIS VIII - The Portland Vase
- 1963 - WIS VIII - The Serendipity of Collecting
- 1963 - WIS VIII - Thoughts on a Pair of Wedgwood Portrait Medallions
- 1963 - WIS VIII - Wedgwood and English Poets
- 1963 - WIS VIII - Wedgwood Loan Exhibition Lenders and photographs
- 1963 - WIS VIII - Wedgwood’s Products from 1779–1795: The Epic of Jasper Gems
- 1964 - WIS IX - A Condiment Set
- 1964 - WIS IX - A Florida Find
- 1964 - WIS IX - A Wedgwood Miniature Tea Service
- 1964 - WIS IX - An Inhaler
- 1964 - WIS IX - Creamware Epergnes
- 1964 - WIS IX - Creamware For Cottage and Castle
- 1964 - WIS IX - Creamware For Cottage and Castle Loan Exhibition
- 1964 - WIS IX - Creamware Lighting Devices for Cottage and Castle
- 1964 - WIS IX - Creamware Molds
- 1964 - WIS IX - Earl of Derby Rum Pot
- 1964 - WIS IX - Emile Lessore
- 1964 - WIS IX - Essentials of British Heraldry
- 1964 - WIS IX - Josiah Wedgwood Eighteenth-Century Manager
- 1964 - WIS IX - Josiah Wedgwood's First Shape Book
- 1964 - WIS IX - Molds and Their History
- 1964 - WIS IX - Notes on Wedgwood with Watteau-Style Decoration
- 1964 - WIS IX - Pearlware Flower Holder
- 1964 - WIS IX - Plaque, Prince William of Orange
- 1964 - WIS IX - The Miles Collection at the Brooklyn Museum
- 1964 - WIS IX - The Nature of Creamware
- 1964 - WIS IX - The Remarkable Wedgwood Family
- 1964 - WIS IX - The Thirteen States Montieth
- 1964 - WIS IX - The Wexford Volunteers
- 1964 - WIS IX - Two Trial Plates for the Catherine Service
- 1964 - WIS IX - Wedgwood the Technician
- 1965 - WIS X - 18th Century Flower Arrangements for Wedgwood Vases
- 1965 - WIS X - Colonial Williamsburg’s Newly Acquired English Pottery Collection
- 1965 - WIS X - English Pottery Recently Purchased by Colonial Williamsburg - Figures and useful wares
- 1965 - WIS X - Members' Exhibition Lender list and photographs Figures and useful wares
- 1965 - WIS X - Social History and the Staffordshire Potter
- 1965 - WIS X - The Decorative Arts at Colonial Williamsburg
- 1965 - WIS X - The Spranger Collection
- 1965 - WIS X - Thomas Whieldon
- 1965 - WIS X - Wedgwood and Bentley Serendipity
- 1965 - WIS X - Wedgwood and the Manufacture of Porcelain
- 1965 - WIS X - Wedgwood Auctions in the Nineteenth Century at Christie, Manson and Woods
- 1965 - WIS X - Wedgwood for the Neophyte
- 1965 - WIS X - Wedgwood in the Midwest
- 1965 - WIS X - What is Williamsburg?
- 1965 - WIS X - William Greatbatch
- 1965 - WIS X -1966—An Invitation and a Preview
- 1966 - WIS XI - Ceramic Transfer-Printing Techniques 1750–1850
- 1966 - WIS XI - Ceramics and the Cultural Level at Mackinac in the Eighteenth Century
- 1966 - WIS XI - Clays: Wedgwood’s and Other Potters Search in the New World
- 1966 - WIS XI - English Blue Transfer Printed Wares of the Early Nineteenth Century With Particular Reference to Wedgwood
- 1966 - WIS XI - Henry Ford’s Museum, Greenfield Village and Its Schools
- 1966 - WIS XI - Longfellow, the Poet, and Sadler, the Tile Printer
- 1966 - WIS XI - The Darwin Portland Vase Number 12
- 1966 - WIS XI - The Darwins and the Wedgwoods
- 1966 - WIS XI - The Emigration of the Staffordshire Potters to America
- 1966 - WIS XI - The English Tradition in American Ceramics
- 1966 - WIS XI - The Historic Monteith of the Thirteen Colonies
- 1966 - WIS XI - The Iva Bunnell Vurpillat Memorial Collection of Wedgwood Pottery - Checklist and photographs
- 1966 - WIS XI - The Portland Vase and the Eleusinian Mysteries
- 1966 - WIS XI - Wedgwood and the American Scene
- 1966 - WIS XI - Wedgwood at The Smithsonian—A Brief Survey
- 1967 - WIS XII - Decorative Wedgwood in Architecture and Furniture
- 1967 - WIS XII - Miniature Wedgwood
- 1967 - WIS XII - Portraits of Alexander Pope
- 1967 - WIS XII - Special Members Exhibition: Portrait Medallions and First Period Porcelain - Lenders, catalog, portrait index and photographs
- 1967 - WIS XII - The Feminine Touch in Wedgwood
- 1967 - WIS XII - The Gardens of Hillwood
- 1967 - WIS XII - Wedgwood Bone China of the First Period
- 1967 - WIS XII - Yellow Glazed English Earthenware
- 1968 - WIS XIII - A Visit to Seagrove and Jugtown
- 1968 - WIS XIII - Delhom Gallery and Institute Exhibition Catalogue
- 1968 - WIS XIII - French Influence on Wedgwood and Vice Versa
- 1968 - WIS XIII - Horses—and Mainly Not Chance
- 1968 - WIS XIII - James Tassie and the Barbarini Vase
- 1968 - WIS XIII - Queen Charlotte, Matthew Boulton, and Josiah Wedgwood, FRS
- 1968 - WIS XIII - Ralph Wedgwood, Cousin to Josiah
- 1968 - WIS XIII - Reflections on the Salem Master Potters
- 1968 - WIS XIII - Sir William Hamilton: An Unrecorded Encaustic Plaque
- 1968 - WIS XIII - The Age of Queen Charlotte 1744–1818
- 1968 - WIS XIII - The Age of Queen Charlotte — Josiah Wedgwood Potter to the Queen
- 1968 - WIS XIII - The Dedication. (A re-dedication of a highway marker for the clay pits at Franklin, NC.)
- 1968 - WIS XIII - The Queen Charlottes in the Mint Museum of Art
- 1968 - WIS XIII - The Story of Black Basalt Ware
- 1968 - WIS XIII - The Tassies
- 1968 - WIS XIII - The Wedgwood Exhibit at the Delhom Gallery - Photographs
- 1968 - WIS XIII - Wedgwood's Carolina Clay: A Trip to Franklin and the Cherokee Mine
- 1968 - WIS XIII - Wedgwood’s Copies of the Portland Vase
- 1968 - WIS XIII - Worrisome Pieces: Problems on Collecting Wedgwood
- 1970 - WIS XV - Bas-Relief Decorations on Dry Body Ware
- 1970 - WIS XV - Dating Eighteenth Century Jasper
- 1970 - WIS XV - Eighteenth Century Classical Jasper
- 1970 - WIS XV - Eighteenth Century Non-Classical Jasper
- 1970 - WIS XV - Josiah Wedgwood, Benjamin Franklin, and Their Mutual Friends
- 1970 - WIS XV - Milton and Wedgwood
- 1970 - WIS XV - Nineteenth Century Classical Jasper
- 1970 - WIS XV - Nineteenth Century Non-Classical Figures
- 1970 - WIS XV - Twentieth Century Classical Jasper
- 1970 - WIS XV - Twentieth Century Non-Classical Jasperware
- 1971 - WIS XVI - Fairyland Kaleidoscope
- 1971 - WIS XVI - Fakes and Forgeries
- 1971 - WIS XVI - Fun, Facts & Fantasy
- 1971 - WIS XVI - Greek Prototypes of Wedgwood
- 1971 - WIS XVI - New Facts on the Portland Vase and the Wedgwood Portlands
- 1971 - WIS XVI - Special Exhibit of Wedgwood Lent by California Collectors
- 1971 - WIS XVI - The Ara Pacis as a Wedgwood Source
- 1971 - WIS XVI - The Queen's Vase the Queen's Beasts
- 1971 - WIS XVI - The Race Between the Potters and the Silversmiths
- 1971 - WIS XVI - Trenchers to Creamware: The Evolution of Eighteenth Century Dining
- 1976 - WIS XXI - A Recent Acquisition
- 1976 - WIS XXI - A Study on Some ‘Transfer-Printed’ Creamware
- 1976 - WIS XXI - A Study on the Bamboo Design
- 1976 - WIS XXI - A Thing of Beauty
- 1976 - WIS XXI - Address to Wedgwood International Seminar April 27, 1976
- 1976 - WIS XXI - Carolina's Last Royalty
- 1976 - WIS XXI - Early Staffordshire Wares
- 1976 - WIS XXI - Josiah Wedgwood—Revolutionary
- 1976 - WIS XXI - Lafayette Commemorative Wares
- 1976 - WIS XXI - Lunar Society
- 1976 - WIS XXI - Philosophies and Symbols
- 1976 - WIS XXI - Some Wedgwood Services
- 1976 - WIS XXI - The Dwight and Lucille Beeson Collection of Wedgwood: Birmingham Museum of Art
- 1976 - WIS XXI - Wedgwood’s Encaustic-Painted Vases
- 1977 - WIS XXII - "Basalt"
- 1977 - WIS XXII - Bertrand Andrieu and His Wedgwood Connection
- 1977 - WIS XXII - Cream–Coloured Ware: 1800–1830
- 1977 - WIS XXII - Definitions and Techniques
- 1977 - WIS XXII - Early Nineteenth Century Borders
- 1977 - WIS XXII - Jasperware
- 1977 - WIS XXII - John Wedgwood: 1766–1844
- 1977 - WIS XXII - Josiah Wedgwood II: The Unsung Wedgwood Potter
- 1977 - WIS XXII - Pearlware
- 1977 - WIS XXII - Thomas Byerley: 1747–1810
- 1977 - WIS XXII - Wedgwood Bone China of the First Period
- 1977 - WIS XXII - Wedgwood's Competitors and Imitators
- 1977 - WIS XXII - Wedgwood’s Dry Body Ceramics
- 1977 - WIS XXII - Wedgwood’s Stone China
- 1978 - WIS XXIII - A Classical Flower Vase in the Beeson Collection
- 1978 - WIS XXIII - Dwight and Lucille Beeson Collection
- 1978 - WIS XXIII - Josiah Wedgwood and the Lunar Circle of Birmingham
- 1978 - WIS XXIII - Josiah Wedgwood’s Birmingham
- 1978 - WIS XXIII - Matthew Boulton, His Work in Silver
- 1978 - WIS XXIII - Matthew Boulton, Industrialist
- 1978 - WIS XXIII - Seminar Exhibition, Wedgwood and Boulton: Artists of Industry Text by Gail C Andrews, photographs, checklist and lenders
- 1978 - WIS XXIII - Silver Shapes in Creamware
- 1978 - WIS XXIII - Some Eighteenth Century Consumers of Wedgwood
- 1978 - WIS XXIII - The Beeson Collection
- 1978 - WIS XXIII - The Many Facets of Soho: The Master of Soho Manufactory
- 1978 - WIS XXIII - Unmarked Wedgwood & Bentley Plaques With Self-Frames
- 1978 - WIS XXIII - Wedgwood Finials
- 1979 - WIS XXIV - Ecanada Art Pottery 1926–1952
- 1979 - WIS XXIV - James and William Tassie
- 1979 - WIS XXIV - Kew Gardens—Darwin, Hooker and Wedgwood
- 1979 - WIS XXIV - Sources of the Trial Plates for the ‘Frog’ Service of Catherine the Great
- 1979 - WIS XXIV - The Flowers of Wedgwood Botanical Plates and Their Social History
- 1979 - WIS XXIV - The Potting Industry in Ontario
- 1979 - WIS XXIV - Wedgwood and the Darwin Connection
- 1979 - WIS XXIV - Wedgwood Ceramics Excavated from Canadian National Historic Sites
- 1979 - WIS XXIV - Wedgwood in Canada
- 1981 - WIS XXVI - An Egyptian-Israeli Diary
- 1981 - WIS XXVI - John Paul Jones and the Wedgwood Medallions
- 1981 - WIS XXVI - Josiah Wedgwood and the Bristol Trade
- 1981 - WIS XXVI - Marks—Good, Bad and Indifferent
- 1981 - WIS XXVI - Opening Address of the 26th Wedgwood International Seminar
- 1981 - WIS XXVI - The Castleford Pottery and Other Stoneware Factories
- 1981 - WIS XXVI - The Challenge of the Variable and the Unrecorded
- 1981 - WIS XXVI - The Contributions of Norman Wilson to the Modernization of Wedgwood in the Twentieth Century
- 1981 - WIS XXVI - The Tassie Cabinet at the Walters Art Gallery: A Primary Source for Wedgwood and Bentley Research
- 1981 - WIS XXVI - ‘Egyptian’ Wedgwood
- 1982 - WIS XXVII - A New Look at William Greatbatch
- 1982 - WIS XXVII - English Majolica
- 1982 - WIS XXVII - George Stubbs: the Frightened Horse and the Fall of Phaeton
- 1982 - WIS XXVII - Josiah Wedgwood I and the English County House
- 1982 - WIS XXVII - Some New Thoughts on the Dating of English Earthenwares
- 1982 - WIS XXVII - The 20th Century Bentley, An Examination of the Work of Bert Bentley
- 1982 - WIS XXVII - The Early Wedgwoods
- 1982 - WIS XXVII - The Emily Winthrop Miles Collection at the Brooklyn Museum
- 1982 - WIS XXVII - Wedgwood Specialities of the Wedgwood Society of New York
- 1982 - WIS XXVII - Wedgwood Wares Related to Australia
- 1983 - WIS XXVIII - A Collection of Creamware at Longue Vue House and Gardens in New Orleans
- 1983 - WIS XXVIII - American Jasper Types
- 1983 - WIS XXVIII - Art Periods and Wedgwood's Interpretation of Them
- 1983 - WIS XXVIII - Caneware: Wedgwood’s Neglected Beauty
- 1983 - WIS XXVIII - John Flaxman. (Paper delivered at the 25th WIS (1980), in Philadelphia)
- 1983 - WIS XXVIII - Josiah Wedgwood: His Early Years
- 1983 - WIS XXVIII - Opening Address: The Collections of the Museum [Museum of Fine Arts, St Petersburg, Florida]
- 1983 - WIS XXVIII - The Artistry of Thomas Allen
- 1983 - WIS XXVIII - Treasures of the Buten Museum: 1846–1952
- 1983 - WIS XXVIII - Wedgwood Commemorative-View Ware
- 1983 - WIS XXVIII - Wedgwood's Marine Connotations
- 1988 - WIS XXXIII - English Wares and Home Products in Texas, 18th to 20th Centuries
- 1988 - WIS XXXIII - Miss Irma Hogg
- 1988 - WIS XXXIII - Texian Campaigne Ware
- 1988 - WIS XXXIII - The Social History of Tea
- 1988 - WIS XXXIII - The Wedgwood’s Wedgwood
- 1988 - WIS XXXIII - Thomas and John Wedgwood, Saltglaze Potters Par Excellence
- 1988 - WIS XXXIII - Wedgwood and the Arts and Crafts Movement
- 1988 - WIS XXXIII - William Greatbatch—New Light on Eighteenth Century Ceramics. (Synthesis of papers given at 31st (1986) and 33rd (1988) WIS in Williamsburg and Houston.)
- 1989 - WIS XXXIV - A House of Long Standing. (Paper presented at the 32nd WIS (1987) in England.)
- 1989 - WIS XXXIV - A New Look at Red-Bodied Wares. (Paper presented at 29th WIS (1984) in New Orleans, LA.)
- 1989 - WIS XXXIV - An Opulent Age
- 1989 - WIS XXXIV - Ceramics as Reflections of Nineteenth Century Life
- 1989 - WIS XXXIV - English Ceramics: The Frances and Emory Cocke Collection at the High
- 1989 - WIS XXXIV - Incised and Impressed Decoration on Wedgwood. (The Buten-Born Memorial presented at the 32nd (1987) WIS in England.)
- 1989 - WIS XXXIV - More For Show Than Use: The Display of China in the Eighteenth Century House
- 1989 - WIS XXXIV - News from Birmingham: The Dwight and Lucille Beeson Wedgwood Collection
- 1989 - WIS XXXIV - One of the Great Eras of Wedgwood: 1875–1900
- 1989 - WIS XXXIV - Origins of Josiah Wedgwood’s ‘Pearlware’. (Paper presented at the 30th WIS (1985) in Washington, D.C.)
- 1989 - WIS XXXIV - Palmer and Neale: Imitators or Initiators?" (Lecture given at the 30th WIS (1985) at the Smithsonian, Washington, D.C.)
- 1989 - WIS XXXIV - Portland Vases. (Paper presented at the 32nd WIS (1987) in England.)
- 1989 - WIS XXXIV - The Influence of the Orient on English Ceramics … 1745 to 1820
- 1989 - WIS XXXIV - The Philip Trammell Shutze Ceramic Collection at the Swan House, Atlanta Historical Society
- 1989 - WIS XXXIV - Wedgwood’s Animals: The McClelland-Ropkey Collection
- 1990 - WIS XXXV - English Shell Edged Earthenware: Alias Leeds Ware, Alias Feather Edge
- 1990 - WIS XXXV - Land of the Free: The Views on the Green Frog Service
- 1990 - WIS XXXV - The Artists … Wedgwood and Sir William Hamilton: Their Personal and Artistic Relationship
- 1990 - WIS XXXV - The Connoisseurs … Wedgwood and Bentley, Vase Makers
- 1990 - WIS XXXV - The Consumer … Wedgwood and His Competitors 1780–1810
- 1990 - WIS XXXV - The Evidence for Creamware—Production and Use
- 1990 - WIS XXXV - The People Facts and Figures: Staffordshire Earthenware Figures of the Eighteenth Century
- 1990 - WIS XXXV - The Setting … Change and Continuity in Eighteenth Century England
- 1990 - WIS XXXV - Wedgwood et al: The Never Ending Story — Thirty-Sixth Annual Wedgwood International Seminar
- 1990 - WIS XXXV - Wedgwood's London Showrooms
- 1990 - WIS XXXV - ‘Print With It The Glue Way’ … From Sadler to Spode
- 1991-1993 - WIS XXXVI-XXXVIII - A Journey to Jingdezhen
- 1991-1993 - WIS XXXVI-XXXVIII - A Wedgwood Family Collection
- 1991-1993 - WIS XXXVI-XXXVIII - All the Appendages for an Handsome Tea Table: Tea and Tea Wares in Colonial Virginia
- 1991-1993 - WIS XXXVI-XXXVIII - Angelica Kauffmann and Her Influence on Ceramics
- 1991-1993 - WIS XXXVI-XXXVIII - Black is Sterling: Wedgwood's Basalt Competitors
- 1991-1993 - WIS XXXVI-XXXVIII - Herbert Minton and Josiah Wedgwood
- 1991-1993 - WIS XXXVI-XXXVIII - Highlights from the Delhom Collection
- 1991-1993 - WIS XXXVI-XXXVIII - Oriental Influences on English Tin-Glazed Teaware c.1650–1780
- 1991-1993 - WIS XXXVI-XXXVIII - The Association of Earthen Ware Dealers of Boston
- 1991-1993 - WIS XXXVI-XXXVIII - The Godoy Broadwood Grand Pianoforte with Wedgwood and Tassie Mounts
- 1991-1993 - WIS XXXVI-XXXVIII - Wedgwood and the Arts and Crafts Movement—Alfred (1865–1960) and Louise (1882–1956) Powell's Association with the Sapperton Group
- 1991-1993 - WIS XXXVI-XXXVIII - Wedgwood and the Dutch Connection
- 1991-1993 - WIS XXXVI-XXXVIII - WIS Buttons 1956–91, by colour
- 1991-1993 - WIS XXXVI-XXXVIII - Yixing and Its European Imitations
- 1991-1993 - WIS XXXVI-XXXVIII - ‘Descend We Now to Vases and Crockery Ware’: Mocha and Related Slip-decorated Utilitarian Earthenware in Context
- 1994-1995 - WIS XXXIX-XXXX - A Capital Venture
- 1994-1995 - WIS XXXIX-XXXX - Apotter's Tribute: The Wedgwood Bicentenary Celebration
- 1994-1995 - WIS XXXIX-XXXX - Dudson — A family of Potters since 1800
- 1994-1995 - WIS XXXIX-XXXX - Early Staffordshire Influences on Josiah Wedgwood
- 1994-1995 - WIS XXXIX-XXXX - English Ceramics for Colonial America
- 1994-1995 - WIS XXXIX-XXXX - Firing and Fetlocks: Josiah Wedgwood and George Stubbs
- 1994-1995 - WIS XXXIX-XXXX - Gifts for Good Children
- 1994-1995 - WIS XXXIX-XXXX - James Tassie and Neoclassicism in Miniature
- 1994-1995 - WIS XXXIX-XXXX - Josiah Wedgwood: A Tribute
- 1994-1995 - WIS XXXIX-XXXX - Marketing Wedgwood in Canada: A Decade of Experience
- 1994-1995 - WIS XXXIX-XXXX - Pastille Burners and Tiles: The Hygiene Movement in 19th Century England
- 1994-1995 - WIS XXXIX-XXXX - Staffordshire Commercial Links with the United States and the Development of Customer Distribution c.1800–1880
- 1994-1995 - WIS XXXIX-XXXX - Superintending the Arts: Sir William Hamilton as Patron
- 1994-1995 - WIS XXXIX-XXXX - The Etruscans and Etruria: The Background to the First Day Vases
- 1994-1995 - WIS XXXIX-XXXX - The Four Josiahs
- 1994-1995 - WIS XXXIX-XXXX - The Ingenious Techniques of Industrial Slipware
- 1994-1995 - WIS XXXIX-XXXX - The Meanings of Wedgwood
- 1994-1995 - WIS XXXIX-XXXX - The Minton Dessert Services of Lord Milton and Dr Cheadle
- 1994-1995 - WIS XXXIX-XXXX - The Port Royal Project: Chinese Porcelain and the Seventeenth-Century Port Royall, Jamacia Ceramics Assemblage
- 1994-1995 - WIS XXXIX-XXXX - The Potter's Art Rediscovered: The Archaeology of Pottery Production in the Age of Wedwood
- 1994-1995 - WIS XXXIX-XXXX - The Tradition of Pueblo Pottery in the Age of Industrialization
- 1994-1995 - WIS XXXIX-XXXX - The Warwick Vase and the Issue of Reproduction
- 1994-1995 - WIS XXXIX-XXXX - Two Wedgwood Services in Canada: Two Studies of Provenance
- 1996-1997 - WIS XXXXI-XXXXII - A Nostalgic Tour of the Buten Museum
- 1996-1997 - WIS XXXXI-XXXXII - A Picture of Midwest American Ceramic 'Taste': Staffordshire Ceramics for the St Louis Market
- 1996-1997 - WIS XXXXI-XXXXII - Alfred and Louise Powell and After — The Legacy of Arts and Crafts at Wedgwood
- 1996-1997 - WIS XXXXI-XXXXII - Another Man's Life: The Biographers of Josiah Wedgwood
- 1996-1997 - WIS XXXXI-XXXXII - Chinoiserie to the Picturesque
- 1996-1997 - WIS XXXXI-XXXXII - Egyptian Influences on Wedgwood
- 1996-1997 - WIS XXXXI-XXXXII - Harry Barnard: Pioneer Potter and Philosopher
- 1996-1997 - WIS XXXXI-XXXXII - The Art of Identification
- 1996-1997 - WIS XXXXI-XXXXII - The Sins of Wallpaper and Other Tasteful Transgressions: The Aesthetic Movement in England, 1860–1885
- 1996-1997 - WIS XXXXI-XXXXII - Twenty-Five Years of Wedgwood Memories
- 1996-1997 - WIS XXXXI-XXXXII - Wedgwood and Neo-Classicism
- 1996-1997 - WIS XXXXI-XXXXII - Wedgwood Australiana
- 1996-1997 - WIS XXXXI-XXXXII - Wedgwood Plaques on Eighteenth Century French Furniture
- 1998-2000 - WIS XXXXIII-XXXXV - A Retrospective of Twentieth Century Worcester Porcelain
- 1998-2000 - WIS XXXXIII-XXXXV - Basalt and Jasper. (44th WIS, 1999)
- 1998-2000 - WIS XXXXIII-XXXXV - British Delft at Williamsburg. (43rd WIS, 1998)
- 1998-2000 - WIS XXXXIII-XXXXV - Developments in Pottery Manufacturing Technology in the Twentieth Century. (45th WIS, 2000)
- 1998-2000 - WIS XXXXIII-XXXXV - Eighteenth Century Worcester. (45th WIS, 2000)
- 1998-2000 - WIS XXXXIII-XXXXV - Josiah Wedgwood I and Figure Sculpture: A Brief Survey. (44th WIS, 1999)
- 1998-2000 - WIS XXXXIII-XXXXV - The Figure in Wedgwood: Basalt and Jasper Treasures from New England Collections
- 1998-2000 - WIS XXXXIII-XXXXV - The Portland Vase: The Wedgwood Copies and Other English Portland Vases. (44th WIS, 1999)
- 1998-2000 - WIS XXXXIII-XXXXV - Their Few Posessions: Colonial Wares in British North America. (43rd WIS, 1998)
- 1998-2000 - WIS XXXXIII-XXXXV - Wedgwod & Eighteenth Century Creamware. (43rd WIS, 1998)
- 1998-2000 - WIS XXXXIII-XXXXV - Wedgwood & Bentley's Bulbous Root Pots: Refining and Reviving an Eighttenth Century Floral Fashion. (43rd WIS, 1998)
- 1998-2000 - WIS XXXXIII-XXXXV - Wedgwood and Nature in the Eighteenth Century. (43rd WIS, 1998)
- 1998-2000 - WIS XXXXIII-XXXXV - Wedgwood and Nature in the Nineteenth Century. (43rd WIS, 1998)
- 1998-2000 - WIS XXXXIII-XXXXV - Wedgwood and Nineteenth Century Creamware. (43rd WIS, 1998)
- 2001-2003 - WIS XXXXVI-XXXXVIII - A Wedgwood Neoclassical Interior
- 2001-2003 - WIS XXXXVI-XXXXVIII - Collectors and Collecting
- 2001-2003 - WIS XXXXVI-XXXXVIII - Collectors, Collections and Collecting in the Nineteenth Century
- 2001-2003 - WIS XXXXVI-XXXXVIII - Eric Ravilious: A Centenary Celebration
- 2001-2003 - WIS XXXXVI-XXXXVIII - Found on the Works– The Story of the Wedgwood Museum Trust
- 2001-2003 - WIS XXXXVI-XXXXVIII - Josiah Wedgwood's Place in the 18th Century
- 2001-2003 - WIS XXXXVI-XXXXVIII - Lady Charlotte Schreiber – Collector Extraordinaire
- 2001-2003 - WIS XXXXVI-XXXXVIII - The Collecting and Influence of Sir William Hamilton
- 2001-2003 - WIS XXXXVI-XXXXVIII - The Felix Joseph Collection at the Nottingham Castle Museum and Art Gallery
- 2001-2003 - WIS XXXXVI-XXXXVIII - The Spode Museum Trust's Collection
- 2001-2003 - WIS XXXXVI-XXXXVIII - Troubles in Store – Tales of a Wedgwood Volunteer
- 2001-2003 - WIS XXXXVI-XXXXVIII - Wedgwood at Liverpool
- 2001-2003 - WIS XXXXVI-XXXXVIII - Wedgwood Eye Baths and the Collection of Ray Stenseth, R.Ph, PhD, of St. Louis, Missouri
- 2001-2003 - WIS XXXXVI-XXXXVIII - Wedgwood for Smokers and Drinkers
- 2001-2003 - WIS XXXXVI-XXXXVIII - Wedgwood in the Victoria & Albert Museum
- 2001-2003 - WIS XXXXVI-XXXXVIII - Wedgwood's Slave Medallion and its Anti-Slavery League
- 2004-2006 - WIS XXXXIX-LI - 50 Years of Wedgwood Scholarship, 1956–2005
- 2004-2006 - WIS XXXXIX-LI - Cool Britannia
- 2004-2006 - WIS XXXXIX-LI - Memories of Harry and Nettie Buten and the Buten Museum of Wedgwood
- 2004-2006 - WIS XXXXIX-LI - The 19th Century Wedgwood London Showrooms
- 2004-2006 - WIS XXXXIX-LI - The Buten Collection at the Sands Point Preserve
- 2004-2006 - WIS XXXXIX-LI - The Dwight and Lucille Beeson Wedgwood Collection
- 2004-2006 - WIS XXXXIX-LI - The Wedgwood Company 1945–1967
- 2004-2006 - WIS XXXXIX-LI - The Wedgwood Company Since 1945: 1967–2005
- 2004-2006 - WIS XXXXIX-LI - Using the Bibliographical Approach: The Library of Josiah Wedgwood II of Maer Hall
- 2004-2006 - WIS XXXXIX-LI - Wedgwood and America in the 20th Century
- 2004-2006 - WIS XXXXIX-LI - Wedgwood and America. Wedgwood in America in the 19th Century
- 2004-2006 - WIS XXXXIX-LI - Wedgwood and Searches for Classical Authenticity, Ancient Art and 18th Century Prints as Design Sources
- 2004-2006 - WIS XXXXIX-LI - Wedgwood – Coming to America and the Voyage of the Mayflower
- 2004-2006 - WIS XXXXIX-LI - Who Made Staffordshire Figures Marked Wedgwood?
- 2006-2007 - WIS LI-LII - A Preliminary Look at the Relationship between Wedgwood and the Royal Prussian Iron Foundries in Germany
- 2006-2007 - WIS LI-LII - An Enlightened Historian
- 2006-2007 - WIS LI-LII - Eulogy for Elizabeth Chellis
- 2006-2007 - WIS LI-LII - I didn't know Wedgwood made Glass!
- 2006-2007 - WIS LI-LII - In Memory of Elizabeth Chellis
- 2006-2007 - WIS LI-LII - Joseph Mayer: an Early Wedgwood Collector
- 2006-2007 - WIS LI-LII - Snooping in Other People's Mail: Josiah C. Wedgwood's Letters to Mary Wedgwood
- 2006-2007 - WIS LI-LII - Tales from the Wedgwood Pedigrees
- 2006-2007 - WIS LI-LII - The Dancing Hours: Fact and Fancy
- 2006-2007 - WIS LI-LII - The Darwins and the Wedgwoods
- 2008 - WIS LIII - Big Is Beautiful
- 2008 - WIS LIII - Collecting – A Personal Perspective
- 2008 - WIS LIII - Evolving With The Times: Millicent Taplin's Career at Wedgwood
- 2008 - WIS LIII - Studio Potters of the 1960s and 1970s at Wedgwood
- 2008 - WIS LIII - Wedgwood Down Under - An Archaeological Discovery for the Smallest Room
- 2008 - WIS LIII - Wedgwood Made For Australia - A Long-Lasting Connection
- 2008 - WIS LIII - Wedgwood, The Felix Joseph Collection of Eighteenth-Century Jasper
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